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Art
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17th Century - Circle of Viviano Codazzi -Oil on canvas
| Start Price |
USD 11,950.00 |
| Current Price |
USD 11,950.00 |
| Time Left |
- |
| Bid Count |
0 |
| Buy It Now Price |
- |
| Reserve Price |
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| Start Time |
Tuesday, September 02, 2008 |
| End Time |
Tuesday, September 09, 2008 |
| Location |
Longueuil |
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See more about '17th Century - Circle of Viviano Codazzi -Oil on canvas'
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Description
9017-2107Quebecinc Store 17th Century - Circle of Viviano Codazzi -Oil on canvas XVIIth CenturyArchitectural Capricciowith the Holy Family(Circle of Viviano Codazzi)In our opinion, a work by an as yet unidentified but distinct hand closely associated with the named artist but not necessarily his pupil. CAPRICCIO (Painting): A type of landscape painting that places particular works of architecture in an unusual setting. OIL ON CANVAS / HUILE SUR TOILE *** Size: 28 x 22 1/4 in. / 71 x 56,5 cm. Condition Report: The painting is in VERY Good condition. Very nice frame. It is very rare to get a painting of that period in such a good condition. Viviano Codazzi (b Bergamo, 1606 ?; d 1670): Italian painter. Born in Bergamo, he is also known as Viviano Codagora or il Codagora but by 1620 he had reached Naples, where he probably continued training with Cosimo Fanzago. In Naples, he also worked with Domenico Gargiulo in completing large fanciful landscapes; with Codazzi painting the architecture, and Gargiulo, the figures. This type of collaboration would be common for Codazzi, and after relocating to Rome after the Masaniello revolt, he also collaborated with Antoine Gobau, Michelangelo Cerquozzi, Jan Miel, Filippo Lauri, and Vicente Giner. He painted in a style influenced by a circle of Dutch painters active in Rome, known as Bamboccianti, including Pieter van Laer. He is best known as one of the earliest practitioners in Italy of painting architectural veduta of Rome and Roman ruins, both fanciful (capriccio) or realistic (veduta realistica). His son Niccolò Codazzi (1642-1693) was also a painter of vedute. Viviano was a strong influence on Canaletto and Bernardo Bellotto. His depiction of St. Peters Basilica in 1630[1] shows one of the last depictions of the facade without Bernini's colonnade. ABSOLUTELY SPLENDID!!!!XVIIth Century *** Expédition / Shipping: We shipped by FEDEX in a wooden crateCanada & USA: FREE SHIPPINGEurope: $250.00I accept payment via www.escrow.com under certain conditions.When packaging our items for shipping, we ALWAYS use protective materials. Lors de l'expédition, nous emballons soigneusement les items pour les protéger durant le transport.
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